Anna and Magnus built a life together. They had a home with three kids and a dog. Then they separated. This is where The Love That Remains begins, but as time passes and the reality of their divorce sets in, they’re left to move through a future strained by their unraveling.
Icelandic director Hlynur Pálmason’s latest film echoes the radiant visual language of his previous, the 19th-century period piece Godland and contemporary drama A White, White Day. And though its subject matter is heavy, the tone here is admittedly lighter. The aforementioned dog, Panda, even took home the Palm Dog Award at Cannes this year, which – and I’m being very …
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